Arno Peeters – The Peeters Principle (Mix)


Arno Peeters

When I started working on this ‘single artist mix’ featuring music and sounds from Arno Peeters, I did not realise that creating a mix-collage based on soundscapes would be more difficult than one based on single tracks.

A soundscape is a collage in itself – and using fragments from soundscapes to build another soundscape is like ripping up a collage and presenting the fragmented details out of their original context, rearranging them to create a new caleidoscopic image.
The original context gets lost, and the result feels like an aural stream of consciousness that may not exactly be “easy on the ears” …. but may prove to be a fascinating exploration of imaginary territories..

Various Artists – Sleep Mode

Relaxed Machinery: it’s a brilliant name for a netlabel presenting “organic ambient and techno music from scratch with only the purest of ingredients”.

John Koch-Northrup, label curator/coördinator, prefers to call it an ‘artist collective’, with a different business model: the artists ‘self-release’ their album, all profit is theirs, but the collective opens up distribution channels that are normally quite difficult to reach for a DIY-release: such as digital distribution via all major channels (by CD Baby), and CDR distribution by Hypnos.

Pleq – Ambientblog Mix

Ambientblog proudly presents a new “Guest mix”,  contributed by Bartosz Dziadosz a.k.a. Pleq

After reviewing his latest releases, I did not hesitate when Bartosz asked me if he could contribute a mix to the ambientblog podcasts.

This Pleq Ambientblog mix is not a mix of his own music, but a mix of Various Artists that gives great insight in the kind of music that inspires Pleq.

It kicks in fairly heavy with the high pitched noise of Go Koyashiki’s “Silhouette”, which when it suddenly drops feels like it has prepared your mind to ‘open up’ for the sounds to follow.

Bartosz’ mix balances the almost industrial electronic sounds with the more organic romanticism of (for example) Library Tapes, Max Richter and Spyweirdos.  

Before closing the mix, two previously unreleased tracks are included: a collaboration with Hakobune and another with Natalia Noeila Siebula. 

Pleq – Ballet Mechanic + Good Night 2

Ballet Mechanic

According to Pleq (Bartosz Dziadosz from Warsaw, Poland)Ballet Mechanic”  is “his most personal, abstract and intellectual work to date, never to be repeated.

Ballet Mechaniccontains six tracks, over 70 minutes in total, “inviting the listener to travel through crackle, screech, squeak, sizzle and subtle drones”. 

Some of the tracks have a natural feel, like if it was created from field recordings instead of electronic sources. Other tracks  sound like distant machines humming while doing their work. 
All kinds of subtle shifts are happening in the immersive sound spectrum, but you’ll only become aware if you submerge yourself in the sound. The overall atmosphere is very calm and relaxing.

Michel Banabila – The Latest Research…


Research - Cover

For those familiar with the work of Michel Banabila  (and if not: you may check this mix presenting a broad range of his work), his new album The Latest Research from the Department of Electrical Engineeringmay come as a noisy surprise.

Created entirely from electrical sound sources that are fiercely mixed and meant to play LOUD, this has nothing much to do with his gentle ‘world-ambient’ output. In his catalogue it is loosely connected to the two “Spherics” released, that also contained strictly electronic music. But it’s different in sound and in using thumping industrial beats.

Various Artists – Underwater Noises

Apart from creating his own fascinating music (like the beautiful Poor Henriette Marie’  EP, released on Hibernate), Nigel Samways also runs the Ephre Imprint label, releasing electro-acoustic drone, ambient and experimental music. 

Underwater Noises is Ephre Imprint‘s latest compilation, a joint release with the Lost Children netlabel:

“The theme running through all tracks of this work is ‘water’ (and its numerous concerns risen around the globe). Each artist was prompted to submit a track inspired somehow by the notion of water, according to their individual angle. The upshot is a multilayered work, giving voice to the umpteen facets of a theme which has always created a particularly deep and serious attraction for musicians working in the drone/ambient scene.”

At the first glance on the tracklist of this compilation I knew that there was a complete new world for me to discover, since all of the artists included were unknown to me…!

Mystified – A Pale But Lasting Hope


Mystified - APBLH

Mystified is Thomas Park, a classically trained musician originally playing trombone and piano. From 2002 he started releasing electronic ambient music after working together with Robin Storey (Rapoon) and Nigel Ayers (Nocturnal Emissions). 

His discography is quite impressive (nine separate pages on Discogs!), and although his music is mostly categorized as atmospheric ambient/drone music, you’ll also find more industrial sounds and noise among these titles. 

“A Pale But Lasting Hope” is one of Mystified’s latest releases. A diverse 5-track album mastered by the renowned Robert Rich.

Secret Chords and Apparitions (Mix)

Imagine yourself in deep sleep. Very deep sleep.
Unaware of your surroundings, unable to control images built from memories, unable to distinguish your dreams from impressions originating from the outside world. 

At times, following a gentle sleep cycle, your consciousness slowly raises – almost up to the point of waking up. At these moments, the outside world is more perceptible, you’re vaguely aware of what’s happening around you.

But not for long, because you gradually sink back to the realm of subconscious deep sleep.  

This mix was created in november, 2010. It was ‘premiered’ on Fluid Radio Mixcloud

Elian – Whispers, Then Silence

If I would simply define “ambient” as “drone“, or as “ignorable music“, then Elian‘s Whispers, Then Silence” would not really fit in here: this roller-coaster ride of electronic soundscapes is definitely not created for repeated playing in the background!

This is clear from the 15-minute title track opening the album: starting with a minimal vibraphone theme, there’s a sudden atmosphere change in the middle, leading to machines running amok for seemingly endless minutes until the end of the track.