TAPU 25 Anniversary Mix

This mix is especially created to celebrate the 25th release on Michel Banabila’s Tapu Records (which will be released later this year).

In this mix (in fact a follow up of “Streets, Dreams and Memories“), all tracks & samples are chosen from the Tapu Records catalogue and so it displays the versatility of Banabila’s work – as solo artist as well as in collaboration with others.

A limited edition (100) physical Audio CD with this mix will be included with every physical release order from Banabila’s Bandcamp. 

Also, a VIDEO version (presenting the covers in sync with the mix, as well as including the impressive Geert Mulvideo for ‘Crowds‘), can be downloaded for free (link below).

Pinkcourtesyphone – Description of Problem

Richard Chartier – composer, sound artist, designer, LINE label curator – has released over 30 critically acclaimed albums under his own name since 1998, building himself an unrivaled status in the ‘reductionist’ electronic sound art field.

As Pinkcourtesyphone, he has released released music since 2012 with a somewhat different angle – the alias giving him some space for a slightly ‘looser’ approach:

“Pinkcourtesyphone is a more emotional, dare one say musical side of his work.
Pinkcourtesyphone is dark but not arch, with a slight hint of humor.
Pinkcourtesyphone is amorphous, changing, and slipping in and out of consciousness.
Pinkcourtesyphone operates like a syrup-y dream and strives to be both elegant and detached.”

London Docks – Tangaroa

London Docks is the alias Nikita Sorokin uses for his solo work.
He’s not from London, but from Los Angeles.
Also a member of Insects vs. Robots – but don’t let that count as an introduction, because the music he presents as London Docks is quite different from that of this particular “psychotropicturesque quasi-nomadic music tribe”.

“Tangaróa“ is a collection of tracks merging Nikita Sorokin‘s solo violin improvisations with “fields recordings and electronica into sonic dreamscapes that are inspired as much by science fiction and mythology as they are by musical ideas”.

Russ Young; Richard Ginns; Troum; C. Reider; Retracking Val

RUSS YOUNG – COMMON POND
On “Common Pond“, Russ Young recreates places, events and objects around him “by assembling manipulated audio sources – re-imagining the impression with sound”.

Each track has a different background story, like:
“‘Phil’s House’ is made from recordings of a friend’s 8 upright pianos he kept in his house.
I ended up erasing the notes leaving the mechanics behind. I think it sounds like rain on his roof or rain playing his pianos.”
“‘Lamy’s Sound and Light’ is a local ‘disco equipment’ rental shop at the end of my street. He leaves a cluster of neons flashing all night.”
With this approach, Young creates a new and refreshing concept of ‘environmental soundscapes’.


RUSS YOUNG – COMMON POND

VLNA – Turquoise Threads

Before you start listening, answer this: what associations do you have with a band name like VLNA?

Personally, I prepared for somewhat ‘unpersonal’ and possibly even ‘harsh’ sounds when I started listening.

But I was in for a surprise:“Turquoise Threads“ is an ‘impressionist vocal’ album – an album with spoken words fragments, humming, whistling, intertwining with ‘a thick veil of atmospheric noir from threads of adapted violins, guitar’ (and electronic treatments).

Mental Health Hotline (Mix)

“Mental Health Hotline” is the second ‘collaborative dialogue’ created together with Christophe ‘Klankschap’ Ywaska.
(The first was “Both Were Moving“, 2012).

Each selection a reaction to the previous addition means the story may have some unexpected turns and views… especially with over 50 samples crammed into this adventurous hour of sound!

Be prepared for a dazzling – and possibly somewhat disorienting – joyride…

Matthew Collings – Silence is a Rhythm Too

Matthew Collings (Scotland) has not only recorded and performed as a solo artist, but also worked together with Dag Rosenqvist (Jasper TX), Talvihorros and Ben Frost.
He has been performing live using custom-made software, and composed movie scores – such as a live score for “Man with a Movie Camera”.

“Silence is a Rhythm Too“ is his second solo-album, and it turns out to be quite different from its more ‘minimalist pop’ orientated predecessor“Splintered Instruments” (which is rereleased together with the new album).