Man Watching the Stars – Dusk
It’s a hell of a comparision, I know, but Man Watching the Stars reminds me of the best work from the now-legendary Stars of the Lid.
Check out this album – you won’t regret it.
It’s a hell of a comparision, I know, but Man Watching the Stars reminds me of the best work from the now-legendary Stars of the Lid.
Check out this album – you won’t regret it.
‘Borderlands’ is an extended meditation for multitracked cellos recorded by cellist William Mace. The composition ‘comprises of six interludes and six extended panels, each comprising twenty-eight short melodic fragments. Each panel uses the same fragments to form new melodies and harmonies.” – but for the listener it feels – and can be enjoyed – as one single uninterrupted piece.
A piece in which every single detail has its place, a piece that conveys that everything is as it should be. A very, very comforting piece.
In two separate vinyl album releases (also available as digital downloads), the Dekorder label presents a beautiful overview of the work of Janek Schaefer, presenting new pieces in some cases created by collating existing material.
“Unfolding Luxury beyond the City of Dreams”, the first album of the pair, contains seven relatively short pieces (ranging from 3 to 8 minutes). Within the calm atmosphere of these pieces, there are many fascinating sounds to discover.
The title of the second album, “Inner Space Memorial in Wonderland”, is a combination of the titles of the two pieces included, each taking up a full side of the album with about 20 minutes.
The fourth of the monthly DreamScenes broadcasts, with some great tracks from new and forthcoming releases.
(Full playlist details published below).
The end of 2014 saw the release of many (and I mean many) spectacular albums, of which you’ll find only a selection here.
Some familiar names matched with some lesser known artists…some organic sounds, field recordings, Terje Isungset’s glass percussion (wíth Arve Henriksen), trumpets, pianos, and – of course – some stretched drones…
Enjoy this january issue – and let’s hope it’s the start of a beautiful and musical year!
At the end of every year, everyone remotely involved with music seems to be obsessed with creating all kinds of ‘end-of-year’ lists. Releasing an album in the very last week of the year means it’ll probably fall through the cracks of those lists: too late for the 2014 list, and to early for next year’s.
I have no doubt that Kate Carr’s “Fabulations” would’ve been included in many lists if it had been released earlier.
But now that it hasn’t: just forget about your lists and start listening.
Marsen Jules’ (Martin Juhls’) new album ‘Sinfonietta’ is released barely a month after he released ‘At GRM’ on his own label.
It is interesting to note the difference between these two albums, as well as their similarities: in a way, the albums relate to each others like day relates to night.
But they also have a lot in common: in both albums, the notion of time is completely irrelevant.
Haunting dark jazz of Dale Cooper Quartet & Dictaphones, inspired by a Witxes track, and a Witxes track reconstructing an earlier Dale Cooper Quartet track.
Both with a beautiful flow of narrative storytelling, an almost cinematic sequence of ‘tension and release’.
Another shortlist for the last days of this year: beautiful soundscapes from Monolyth & Cobalt (Mathias van Eecloo, including reworks by many of his friends), Steve Roden & Stephen Vitiello, Gateless Gate (exploring the vast Siberian Landscape), How Hot is Your Cloud, and the surrealist music of Black to Comm.
Another roundup of very interesting album releases, featuring Joe Frawley, Francesco Giannico; Man Eats Fish; Koshshi Kamata and Off Land.