DreamScenes 2015-05

It’s probably best to keep awake and try not to fall asleep to the dreamy ambience of this month’s DreamScenes selection.
Because if you do, you’ll miss the rather weird operatic intermissions by We Like We and the timeless deconstruction of Irish Airs by Fovea Hex.
And the very special – and possibly somewhat unexpeced – track from Efrén Lopéz, of which the chours is the cry of alarm that the Cathars used in the 12th century:
“A…E…I…O..U!!!”

Alva Noto – Xerrox Vol. 3

Xerrox Vol. 3 is the third part (duh!) in what is going to be a five part series inspired by the process of copying.

All three parts have their subtitle: “Old World” (Xerrox Vol. 1, 2007), “New World” (Xerrox Vol. 2, 2009) – and now Vol. 3 is labeled: “Towards Space” .

Ghost Road Stroll (Mix)

This mix is made to be published in the excellent series of mixes on the “Sounds of a Tired City”, part of the larger website with the same name.
It is published exactly on its first year’s anniversary, so it’s in fact a birthday present too!

Inspired by the site name, I decided I wanted to try to create a sonic ‘walk’ through a ‘tired’ city.
A mix with a lot of scene changes… like walking through an unknown city on a (quiet sunday?) morning – finding hidden surprises and marvels around every corner..

Cio D’Or – All In All

More than ever before, it seems female artists are rightfully claiming their own space in experimental electronics.

Hot on the heels of the surprising Sleepstep album by Dasha Rush comes All In All – a new release by Cio D’Or (who’s track Distanz also saw a beautiful remix on the recent Sonae album).
Sleepstep and All In All are a perfect match, exploring the same musical areas of experimental yet atmospheric techno, pushing the boundaries of (dub-) techno into new and adventurous territories.

Dasha Rush – Sleepstep

At first listen, her new album Sleepstep (subtitled ‘Sonar Poems for my Sleepless Friends’) does not sound like a ‘typical’ Raster-Noton release… maybe because her sonar poems are ‘feminine, subtle and personal reports’ – nothing like the usual concepts of electronic music created by nerdy, predominantly male tech-wizzards.

But as the album progresses, the musical soundscapes get more abstract and gradually prove Dasha’s perfectly at home on the Raster-Noton label.