Pleq & Giulio Aldinucci; Umchunga; Dronny Darko & ProtoU; Matthew Atkins
Another musical journey guided by Pleq & Giulio Aldinucci (Poland and Italy) – Umchunga (Tehran) – Dronny Darko & ProtoU from Kiev, and Matthew Atkins from the United Kingdom.
Another musical journey guided by Pleq & Giulio Aldinucci (Poland and Italy) – Umchunga (Tehran) – Dronny Darko & ProtoU from Kiev, and Matthew Atkins from the United Kingdom.
Etheric Imprints by Steve Roach – Echotides from Erik Wøllo – a new Companion to an older album by S.E.T.I. – and a Monolith tribute to 2001 by As Lonely As Dave Bowman
Michael Fahres presents a radically different vision on ‘environmental music’;
Miguel Isaza manages to find a balance between the temporal and the eternal;
Naviar Records demonstrate that a community can generate strong (or even stronger) results;
and: the introducton of a new series exploring the lively Polish experimental electronic underground scene.
Mike Cooper’s Fratello Mare is a journey you’d better not begin unprepared: it’s exploring the beauty of the Pacific yet somehow also resembles Fear and Loathing in Las Vegas…!?
Furthermore: some music to calm down to: guitar pedal soundscapes by J. Butler, and two short neo-classical EP’s by Tambour and Lunae Lumen
A walk through the forest with Dag Rosenqvist, a visit to Tiny Vipers’ bedroom, manipulated Amazon amphibian sounds by Artificial Memory Trace, and finally dream memories from Ken Camden
…. slowly evolving to a state of inert uniformity …. retracing information that was lost from the message … searching for the uniformity in what seems to be randomly disordered …
This mix is published simultaneously on Headphone Commute:
“You’re in for a treat!”
The warm, soft voice of Anne Garner guides you into (and out of) a dreamy hour of sounds also including Nils Frahm, Bruno Sanfilippo, Leonardo Rosado, Michel Banabila, Söll, Yamaoka, Aes Dana, Miktek and Fabio Perletta.
Visiting sacred spaces with Giulio Aldinucci, the spaces in-between with Arovane and Hior Chronik, a minimalist collaboration by Jeremy Young and Aaron Martin, and finally ending up in a strange ‘Cävv’ from Portugal!
On Jump Cuts, Banabila presents a return-to-style to the music that bears his unique personal trademark.
The kind of patchwork sounds he created for previous albums like Voiznoiz and Precious Images – the kind of music that also perfectly fits theatre, dance, documentary or movies soundtracks.