Biosphere; Y. Sakellariou; Dave Kirby; Richard Ginns
Catch up with this shortlist featuring installation music from Biosphere, environmental drones from Yiorgis Sakellariou and Dave Kirby, and a reel-to-reel sound wall by Richard Ginns
Catch up with this shortlist featuring installation music from Biosphere, environmental drones from Yiorgis Sakellariou and Dave Kirby, and a reel-to-reel sound wall by Richard Ginns
“Uut de Bron” / From the Well: fresh music for February, ambient sounds, choirs & otherwise…
With her new album ‘In The Light Of Air’, Anne Thorvaldsdottir once again shows that she is one of the most innovative contemporary composers, and has developed a style that is almost immediately recognisable. And unmistakeably Icelandic in nature.
Soundtracks are hot. And quite a lot of them border on ‘ambient’ music because of their inherent atmospherics. Or on ‘post-classical’ music because of their instrumental arrangements.
‘The Revenant’ combines the best of both worlds!
Autistici (David Newman) and Justin Varis present eight ‘synaesthetic’ interpretations of various colours.
They are completed with another eight remixes from different artists that seem put the colours in the perspective of their surrounding landscapes.
Together, these two cd’s are a truely caleidoscopic collection!
A few compilations to start the year with: well- and lesserknown artists, a lot of unreleased material, and most of them offered as a free download too!
What better way to start a new year than with a fresh edition of the monthly DreamScenes – presenting new music from Ben Lukas Boysen/Pleq, Jóhann Jóhannsson/Hildur Gudnadottir/Robert Lowe, Lee Chapman, Ambiq, Frédéric D. Oberland, David Cordero, Olga Wojciechowska, Markus Guentner, Understated Theory, Aidan Baker and Janek Schaefer?
Polish composer Olga Wojchiechowska showcases her an impressive works for theatre, dance and film productions; Quiet Horn explores different looping setups constructed from the sound of the trombone.
Tristan Perich closes this ‘Composition’ series with an amazing composition for 10 violins and 10-channel 1-bit sounds.
And last but certainly not least Edu Comelles compositions for ‘Agost’ are based on the single sound of rubbing a glass of wine.
Joe Evans explores the relation between the Elements, the states of Matter and musical Intervals;
Mark Harris dreams of being alone in a forest at night;
Max Würden releases two titles simultaneously: one on Wolfgang Voigt’s Exponate series and one for reading Sci-Fi books.