Delusional (Mix)
“For me, personally, a mix has the most impact when it feels like I’m watching a movie. With ups, downs, some drama, sentiment, moment of joy, climax and anticlimax. And yes: tension and release.”
“For me, personally, a mix has the most impact when it feels like I’m watching a movie. With ups, downs, some drama, sentiment, moment of joy, climax and anticlimax. And yes: tension and release.”
Bjarni Gunnarsson‘s fourth full album is called ‘Lueur’, meaning ‘glow’ *** For Pauline is a heartfelt tribute to Pauline Oliveros by Isabelle Latorres and Edu Comelles.
Another fine Ambientblog Exclusive to celebrate the end of the year and the beginning of a new one: a FREE DOWNLOAD of Robert Kroos’ 30 minute ‘Brainwave Set’
Sit down, relax, and let Robert Kroos take you down to the very lowest (Delta) frequencies..
Three compilations: the Salaam for Yemen charity compilation (Hiberbate/Dronarivm), Eilean’s #92 with exclusive tracks, and Pop Ambient 2019 curated by Wolfgang Voigt.
Mzungu sheds a different light of the four seasons, while Bionulor recycles fragments of Alexander Scriabin.
Different kinds of cinematic: Tom Hodge and Franz Kirmann‘s score for ‘The Man Behind The Microphone’. Harnes Kretzer‘s Black Noise is not a movie soundtrack but it could very well have been one.
Less than two months after Falling Backwards, James Murray presents his new album: Landscape Of Lovers. Ánd presents a new release in his ‘Slowcraft Presents’ series: Between Ocean And Sky by (Francis M.) Gri and (Federico) Mosconi.
Drones and overtones from Radboud Mens, on solo albums as well as collaboration with 1605Munro and Matthijs Kouw.