Robert Rich * Erik Wøllo
Two immersive albums ‘for stillness and reflection’: Robert Rich‘s double album ‘tactile Ground’ and Erik Wølllo‘s ‘Infinite Moments’.
Two immersive albums ‘for stillness and reflection’: Robert Rich‘s double album ‘tactile Ground’ and Erik Wølllo‘s ‘Infinite Moments’.
Memories of ‘Brutal London’ as remembered by Gideon Wolf (Tristan Shorr), and quiet ambient-post-rock from The Gentleman Losers to help wait for the season to change
“a 1000 Laws of Æthelred iii. c. 13 §1 (Schmid) And þar þeᴁen aᴁe tweᴁen costas lufe oþþe laᴁe and he þonne lufe ᴁeceose. 1432–50 tr. Higden (Rolls) I. 99 Oreb‥the mownte of fere and of luffe [L. mons terroris et fœderis]. Ibid. II. 347, IV. 123. a 1500 in Arnolde Chron. (1811) 90 Yf ther bee ony persone wythin the warde that is not vnder francpledge that is to saye under loue and lawe.”
Akira Rabelais – CXVI
Eraldo Bernocchi writes a soundtrack for a documentary about Cy Twombly * Martin Ptak depicts the flow of a river from its spring to its destination.
Two releases that are as relaxing as a walk in a Japanese garden: Masaya Kato‘s Contact and Hiro Takahashi‘s Low Power.
Italian duo Iluiteq presents their soundtracks for winter departures *** Hirotaka Shirosubaki prepares for the end of the Japanes Heisei era in which he grew up *** Belgian duo Clearlight & Owl take you to your deepest thoughts.
Presenting three releases on the Constellation Tatsu label: Stephan Haluska, Ecovillage and Rhucle.
Using environmental recordings to create musical compositions: Geneva Skeen is inspired by a geological phenomenon, Kate Carr by a poem about wreck-diving.