Brilliant Concepts 1: Instant live concerts

Remember the good old bootleg days? The thrill of hearing a recording of a concert you actually joined (regardless of the sound quality of the recording)?
Even for people that did not join the concert themselves, a bootleg recording may have some magic to it. 
There are lots of fans exchanging all their live-tapes…(as if 50+ concert recordings do not start to sound alike…)

The guys (I guess) at instantliveconcerts.com have understood this concept and used current technology to offer a quality cd concert-recording in about six minutes after the concert ends…Now that’s what I call HOT.

Lewis Furey – Cleanup Time

From: Lewis Furey; 1975

Canadian singer sounding like Lou Reed performing musical soundtracks…(can you imagine?)
He was a one-of-a-kind man, performing with Carole Laure in music and movies…ohh those were the days.

If anyone of you remembers this man or this track I invite you to post your memories.

Stimmhorn – Melken

Overtone singing and ALPENHORN blowing….a combination you will probably NEVER hear on your local radio station (unless you’re swiss).

This track, Melksuite, is definitely a good first candidate for the ‘Weird Department’. The album from which this is taken is called ‘Melken’, and was released in 1997.

Arvo Part – Lamentate

Referring to Arvo Pärt’s music as ‘ambient’ is a bit like swearing in church, I guess.
But still, there are similarities. Listen, for example, to Da pacem Domine, and you’ll probably be remembering some of the earlier ambient works of Brian Eno (Music for Airports 2/1, to be specific).

The Hilliard Ensemble as always guarantee a flawless and heavenly performance.

Michel Banabila – Hilarious Expedition

Michel Banabila must be one of Hollands best kept secrets. He has released numerous albums, some ambient, some world, some jazz, some experimental, all worth the listen.

Hilarious Expedition is a double album with movie- and theatre music, which he has released himself in a limited independent edition. Because it probably would be too ‘difficult’ for official release.

I regret this album is a bit overlooked – due to it’s independent release – because it should attract a wider, adventurous, audience.

Nils Petter Molvaer – ER

For the ‘pop’ listener, ER is a far more complex album than Molvaer’s earlier work. The arrangements sound like studio improvisations, and the result is more ‘jazz’, less ‘dance. The accompanying background is created with delicate electronic sounds, which make the record very modern.
‘Sober’ is one of the best tracks, in my opinion. And that may very well be because it’s so ….er…..sober.