Phill Niblock – Touch Strings

Though he’s not the only one working in this musical area (think of Eliane Radigue, her ‘Trilogie de la Mort’ especially, or Alvin Lucier with his ‘Music on a Long Thin Wire’), I can hardly think of anyone creating drones more ‘minimal’ than Phill Niblock does.

Phill Niblock (born 1933) has a vast catalogue of compositions exploring the essence of sound by asking the listener to zoom in almost indefinitely and forget about time. To the casual passer-by, the music may sound like it’s only one endless chord and if you don’t have the right mindset you’ll probably get extremely bored soon. But if you let the sound grab you, you’ll hear the subtle nuances and interplay of the interacting waveforms.

Greg Haines – Komarovo

Compared to earlier releases on “Slaapwel Records” (Sleep Well Records – the Belgian label dedicated to Music to Fall Asleep To), Komarovo may be the hardest one to fall asleep to, simply because of its dynamic range.

For this 30 minute piece, Greg Haines used sound recordings from a Berlin performance, including piano, tape recorders and the impressive sound of the Grünewaldkirche church organ.

Ring (mix)


style4

“Ring” is the second part of the  two part auditive “guided fantasy” from 2006 (“Wave” being the first part). A mix of ambient music, soundscapes and other musical surprises, created in 2006.

The first of these four programs was a compilation of the (magnificent) album ‘Spellewauerynsherde‘ by Akira Rabelais, the fourth part was a compilation of music from Iceland. (Since these programs are not ‘ambient mixes’ they are not included in this collection).

The four parts were called “Spelle”, “Wave”, “Ring” and “Sharde”, which together is also the full title of Akira Rabelais’ “Spellewauerynsherde” album. Tracks and fragments of this album are present throughout all four programs. I’m very grateful to Akira for sharing some of the unreleased shardes from his magnificient Spellewauerynsherde project!

BTW – the pictures shown above are from Helga Kvam.
No one ever captured the mysterious Icelandic nature better than she does.

Kleefstra/Bakker/Kleefstra – Wink

If you’re a collector that likes to have your music on a physical CD, times are rapidly getting harder. Especially in the ambient and experimental genre, where more and more releases are handmade do-it-yourself releases in extremely limited editions.

Take Wixel’s 2009 project, for instance: one CD every month, every edition physically released in the number of days of that particular month (but at least these are later rereleased in simpler packaging and available as digital downloads too). Even a relatively ‘big name’ like Thomas Köner releases his latest CD ‘La Barca‘ in a limited edition of 600 copies only.
By the time the news of a new release reaches you, chances are the album is sold out and unavailable physically.

Such is the case with Wink, the new album by Kleefstra / Bakker / Kleefstra.
Although I thought I acted quickly, my handpainted CD (!) and handpainted cover bears the number 90 – of only 100! So I guess it’s sold out the moment you read this…

So what’s the use of this blogpost then?

Dub Jay: AMFM

Ambient musician Warren Sulcs, known to some under the name Dub Jay, created this album about a year ago. But finding a record label for his music proved increasingly difficult, as most ambient musicians can probably confirm.

So after a while he decided to just share the album to those interested.
And I really think this album is interesting enough to be heard – so you may grab your chance and listen to it too!

Wave (mix)


Frozen

“Wave” is the first of a two part an auditive “guided fantasy” (“Ring” being the second part).
A mix of ambient music, soundscapes and other musical surprises, created in 2006.
No track is played completely, but the interaction of the fragments creates a completely new structure…. Which, in fact, is true for all ambient mixes of course…

These two mixes were part of a 4-hour radio broadcast that were thematically related to Icelandic music. At least: the first and the last were mostly. The first of these four programs was a compilation of the (magnificent) album ‘Spellewauerynsherde‘ by Akira Rabelais, the fourth part was a compilation of music from Iceland.

I guess it’s safe to assume that this also probably is the first (and possibly single) ambient music collage containing Venetian Snares music!
(read more for complete paylist)

Beautiful Companions: Dakota Suite

The End of Trying

‘The End of Trying’ is not a ‘typical’ Dakota Suite Release. Unlike most Dakota Suite albums (except 1999’s Navigators Yard) it is fully instrumental, with Chris Hooson, David Buxton and Colin Dunkley playing piano and David Darling playing cello.
The latter fact may indicate the mood of the music on this album: it is extremely delicate, heartbreaking melancholic music.
A ‘classic’ release that immediately struck me when I first heard it in the beginning of this year.

The track titles indicate the overall mood of this music: How Could You Let Me Go, Things We Lost Along The Way, All The Love I Had Was Not Enough, A Quietly Gathering Tragedy, and not forgetting “Een Langzaam Lekkende Wond‘ (A Slow Leaking Wound) which reminds us of the fact that Chris Hooson lived in Holland for quite a few years.
This beautiful sad music is clearly not meant to brighten up your day. But it might soothe your sadness with rays of hope shining through empathic, understanding themes and fabulous cello sounds. 

‘The End of Trying’ is one of the most beautiful albums I have heard this year, and it even gains strength with the companion CD that was released shortly after the release of the original: “The Night Keeps Coming In”.

The Hum in the Room (mix)

“The Hum in the Room” the final part of the three-part mix dedicated to … the hum in your room! 

The buzz that you suddenly notice, that appears to have been there forever but unnoticed – until this moment.
The sound that will be there forever from now.
The hum that appears to come from the inside of your head, and that keeps changing when you turn your head or walk through the room.
The noise that can irritate as well as fascinate.

Or, to quote John Cage from a 1937 lecture: “Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating. The sound of a truck at 50 m.p.h. Static between the stations. Rain. We want to capture and control these sounds, to use them, not as sound effects, but as musical instruments. “

"Friederich Remixed" by Banabila


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In december 2008, dutch musicians Frans Friederich and Michel Banabila met each other performing on the ‘RadioLines’ performance, organised by the (now almost deceased) radio programs Folio and Supplement.

Three musicians performing simultaneously, while live-mixed by one of the radio-makers. The musicians had no influence on the resulting mix in any way (there even was a possibility they were playing their parts without it being heard at all).
(The musicians brave enough to take this risk were Michel Banabila, Frans Friederich and Floris van Bergeijk – the resulting music can be found and downloaded [here].)

For edition “P” of Frans Friederich‘s Recyclopedia, a series of 26 multi-styled CD’s (one for every single letter of the alphabet), Michel Banabila created a beautiful remix, inviting dutch trumpet player Eric Vloeimans to play the additional trumpet part.
This track is unclassifiable: it’s jazz, pop, electronic, fourth world and maybe even more.
It is also a perfect example of what can happen when open-minded musicians work together for the sake of music, not caring about whatever expectations there may be!