Sounds of Spellborn (mix)

If you have listened to previous mixes on this weblog, you may have grown accustomed to the kind of format that they share. This one has a different approach.

I noticed that a lot of people are unfamiliar with ambient music, but still get exposed to it more than ever: in movie soundtracks, and even more: when playing games. It may not be recognised as ‘music’ at all, but more as sounds to create/enhance an environment – but still: that’s what ambient music is about, isn’t it?

When The Chronicles of Spellborn was released early 2009, I decided to create a special mix from a selection of the sound and music that comes with it.

Akira Rabelais’ Christmas Gift

Akira Logo

**Please note: **
This remix was intended as a special 2009 Christmas gift from Akira Rabelais.
It is now no longer available to download

Right from the very first time I heard the “Spellewauerynsherde” album by Akira Rabelais (released in 2004 by David Sylvian’s Samadhisound label) this album has been one of my absolute favourites. 
And now, 5 years since the original release, it still is a sound unheard neither before nor since.
 
Spellewauerynshere is built from found sounds, field recordings of traditional Icelandic accapella lament songs that were recorded in the late 1960s or early 1970s. The recordings are heavily (and sometimes less heavily) treated and manipulated by Rabelais’ custom built music software, Argeïphontes Lyre.
You can check back on ambientblog to read my review from 2005:
“It’s as if a voice coming from the middle ages haunts you in your deepest sleep. It’s beautiful, heavenlike. But at the same time it’s distorted and confusing, scary even.”

Now, Akira created a complete new mix from the same source material, and decided to present it as a Christmas gift.
It has the same haunting atmosphere, so if you want to have some ‘slightly’ different christmas music at home this year, this gift is for you. You’ll have to act quick, since the links and podcast will be removed after christmas day.

Dream Calibration (mix)

Nonstop Ambient Montage: from Alva Noto to Arvo Pärt, via Arve Henriksen and Jacaszek, with short stops at Christopher Bissonnette, Entia Non, Kraken, Goldmund, and many, many others.

This mix was created may/june 2009.
Image by Weirena

This is the last of the ‘ambient montages’ that were created for radiobroadcast. 
Until now, 24 mixes are published on this weblog, counting 26 hours of continuous ambient/electronic/experimental music.  

In the remaining weeks of this year some ‘different approach’ mixes will be published additionally: one focussing on game music and another focussing on the work of one composer. 

Then, in 2010, on to the next phase….

Nest – Retold

The Serein netlabel was founded in 2005 and released quite an impressing batch of quality ambient and electronic music. In 2007, Serein released it’s ‘flagship title’: the Nest EP.

Nest is the collaborative project of Otto Totland (Deaf Center; Type Records) and Huw Roberts (Serein Label owner).

The beauty of their music was quickly recognised, the blogosphere caught on and the EP was features in a lot of favourites-lists that year. 

Then, early 2009, the Serein site closed down.

Utsura – Utsura (mix)

Lichtspel

“Utsura-Utsura” is a japanese expression indicating the ‘fluctuation between alert wakefulness and a state of half-sleep’. Or at least: I was told that it means something like that…can anyone confirm this?

True or not, this is exactly what this hour-long mix is about: between being awake and half asleep. Sigur Rós, Arve Henriksen and Helios may be your grip to reality in this somewhat abstract, sometimes hallucinatory sound.

True (mix)

Like it’s companion mix (“Strange Birds“, published last week) this mix was also broadcast in April 2008.

It’s a further walk in the same landscape. Sometimes the tension may rise somewhat, but the view remains spectacular.

This mix is concluded by the Soccer Committee song ‘True’ that also gave this mix it’s title.
In her search for quietness, Mariska Baars (Soccer Committee) has proven that ‘ambient’ music does not necessarily involves ‘electronics’.