Sonic Acts XIII – The Poetics of Space


SAXIII

If you’re in or maybe even anywhere near Holland (Amsterdam) between february 25 and 28, you definitely should not miss Sonic Acts  XII – “Spatial Explorations in Art, Science, Music and Technology.

This bi-annual festival must be one of Holland’s most important event in experimental electronic music. But not ‘just’ music: the multimedia event also presents expositions, installations, conferences, sound walks, and of course a lot of other immersive aural experiences.

Isolate (Mix)


Muttley profile picture

Isolate is the first mix published on ambientblog.net created by a guest.

Muttley (Michael Buckingham) is actively maintaining the Subvert Central weblog (hosting 60+ mixes now!), and also contributed some mixes to the Low Light Mixes weblog that I’m sure you are all familiar with.

Isolate is a continuous mixtape focussing on drone tracks. It’s a great mix to listen to at night (and falling asleep to).

Peter Broderick’s Flickr Album

Peter Broderick is not afraid to try out some new directions. With his music (ranging from minimal electronics via minimalism to new-folk), as well as with the ways to distribute them.
Some of his records were released on fairly wellknown labels as Type and Kning, or on lesser known labels as Slaapwel Records and Fang Bomb. But also on cassettes, freely available mixtapes, and now even using Flickr (the  web 2.0 photo sharing site).

As far as I know, he’s the very first artist creating a ‘Flickr Album‘ this way.

Porzellan – The Fourth Level of Comprehension

The Hibernate Sampler did a fine job: I was so impressed by the quality of the music that I ordered a batch of albums from the label. All of them were interesting enough to be reviewed here (and maybe I will).

But as much I enjoyed them, Porzellan‘s The Fourth Level of Comprehension was the one I played most repeatedly.

Porzellan is Francis Cazal. Classically trained composer and baroque violinist. The latter may be a bit confusing, since none of the music is very ‘baroque-as-we-know-it’.
But, firmly rooted in classical composition techniques, Cazal obviously knows how to create a compelling composition.

No Accident in Paradise

Contemporary electronic music is firmly rooted in Germany – I guess no one will argue that.
 
So is No Accident in Paradise, a four person “Live Ambient System”, or freeform ambient music project. 

No Accident in Paradise combines live electronics and keyboards with sampled electronic music recordings and rather stunning visuals by Robert Seidel. They perform at unusual locations that perfectly fit their music: check the video of the Therme Bad Schandau performance (below) for a good impression!

Paul Sharma – Embers

Paul Sharma‘s Embers is a beautiful electronic composition based on the Indian midnight raga Malkauns, and thus is very suitable for midnight listening (The Raga Guide indicates Late Night: 12 – 3).

“Malkauns is a serious, meditative raga, and is developed mostly in the lower octave (mandra saptak) and in a slow tempo (vilambit laya).”
(Wikipedia)

On this version the vocals are more in the middle octave as that suits Rajesh’s voice, but there are instruments at the lower (and sub-lower) to compensate. The vocal piece starts with an alap (free or rhythmless tempo) and then a slow tempo vocal.

“It is a majestic and somewhat introverted pentatonic raga, which seems to have undergone quite a transformation over the centuries. Superstitious musicians describe it as a raga with supernatural powers, and some believe that it can attract evil spirits.”
(The Raga Guide)


Miserere (Mix)

First, let me give my best wishes for 2010 to all of you!!

What better way to start the new year than with a brand new mix ánd a brand new design (thanks Ingmar from Planet KL!)?

The design change is symbolic, in a way: after publishing a lot of mixes in 2009, all of wich were created for radio broadcast, it is now time to take a further step and start publishing new mixes.
“Miserere” is the first of these brand new mixes to be published. 

“Miserere” has taken its name from the concluding piece: Gregoria Allegri’s Miserere, as performed by the Tallis Scholars.