Headphone Commute recently published a beautiful mix created entirely of tracks published on the Home Normal label. Although all tracks in the mix are interesting enhough to check out the full CD’s, I had to restrain myself when visiting the label website.
So I decided to start by ordering the latest release by Ian Hawgood (also Home Normal’s label owner): “Slow Films in Low Light“.
The Optofonica Project – platform for synesthetic media and sound spatialization – started in 2006 in Amsterdam. They have presented their immersive works on Sonar and Sonic Acts, presenting surround cinema and the Optofonica Capsule which must have been quite an impressive experience!
Though Cliff Child may sound like one person’s name, it’s actually two: Iceland’s Sjorn Björnsson (creating the sounds) and Robjn (producing the tracks and creating the artwork).
In anticipation of the first, self-titled, album to be released this summer, they offer their first 6-track EP ‘Einn’ as a free download. Find it on SoundCloud.
Or, if you prefer, get it from their weblog at http://cliffchild.wordpress.com/.
This weblog also contains some fascinating videos to go with the sound…(of which “The Middle” is my absolute favourite!).
Circular Scriptures is the very first (and until now: only) release of a brand new label: Relaxed Machinery, a label owned by John Koch-Northrup (previously a co-owner of AtmoWorks), claiming that “all artists receive 100% of their release”.
That fact alone sounds like a good enough reason to track down this album on one of the major download outlets or get it as CDR from the Hypnos store.
Because I was stupid enough to leave my beloved Cowon D2 MP3-player in the train (and no one was honest enough to return it), I had to decide about a new MP3 player.
I am definitely not an Apple fan (for reasons I will not elaborate here), but I was tempted to go for the (G3 32 Gb) iPod Touch, simply because of all the extras it has to offer besides the simple MP3 function.
The first app to go for was Brian Eno’s “Bloom” – only to discover that Bloom was recently followed up by Trope, also created by Brian Eno and Peter Chilvers.
A third offspring of this generative music applications is “Air“, containing the vocal samples of Sandra O’Neill.
The good news: obtaining all three of these apps will not even cost you EUR10 ($13)!
All three of these programs are very simple to use, but incredibly effective in its ambient beauty: start it, create a mood, tap the screen for generative seeds and then just let the composition flow…
Let me begin with a warning: this mix is quite unlike the previous ones!
Though there are quite a lot ‘ambient moments’ to enjoy, it cannot be qualified as ‘ambient music mix’ because it contains a lot of other musical elements too.
This mix was created especially for Frans Friederich – a dutch musician currently working on a megalomaniac project he started in 1997: Recyclopedia.
One single full CD for each letter in the alphabet.
26 CD’s recycling and rewriting musical history associatively…!
Frans Friederich’s musical history shows a variety of styles: he played in jazz-, ska-, and big-bands, but also in experimental acts like Dull Schicksal and Trespassers W. This musical diversity is also heard on the Recyclopedia albums: it’s a musical roller coaster ride with Friederich himself joining the musical extremes in his own personal style.
In 2009, Friederich completed the “Recyclopedia Q” album – which contains beautiful ambient music created together with soundscape artist Robert Kroos.
(So, by now, about 65% of this project is finished – with this average output the entire Recyclopedia will be completed around 2017!)
When I started this Recyclopedia mix, I originally wanted to focus on the many ambient music pieces throughout the series, creating an ambient mix and leaving out all other music. But the nature of the project decided otherwise.
When it comes to ‘classical droning’, Stars of the Lid are the reference point. While there’s some debate whether their music is Brilliant or Boring, they simply prove good music can be both.
Comparisions always are a bit risky – as music deserves to be judged by itself, not by comparision.
To me, ‘A Young Person’s Guide to Kyle Bobby Dunn‘, the new double CD by the Canadian composer Kyle Bobby Dunn (now residing in New York), has the same touching quality as most of Stars of the Lid’s music, that’s why I had to mention them.
Recently, someone told me that it’s virtually impossible to get an ambient music album released, while on the other hand labels fall over each other in their enthousiasm to release a new noise title.
(Note we’re talking about physical releases here, not about netlabels!)
To be honest, I can’t say I’m much of a noise addict. There’s hardly any good opportunity to play it at home (without tough family protests), and I was not particularly enjoying most ‘noise-for-noise sake’ live performances I’ve seen.
But on this recent release, Bjarni Gunnarsson (born 1980, in Iceland as you can probably guess by his name), explores both ambient and noise music at the same time – crossing the borders with a stunning result.
Not long ago, Muttley’s “Isolate” mix was published on Ambientblog as a guest mix.
Muttley’s own Subversion weblog hosts a lot of his mixes, as well as the 15 Minutes of Fame series.
The SubVersion 15 Minutes of Fame format dictates that any mix should contain no more than 10 tracks and last no longer than 40 minutes. That’s an average of 4 minutes per track.
So, when asked to do a guest mix for this weblog, I had to change my usual approach.
In the ‘collage’ mix format I mostly use, 4 minutes is about the maximum time any included sample gets played – usually far more tracks overlay at any single instance.
So I had to restrict myself in that matter, to create a ‘mixtape’ mix format for this particular issue.
![[R]ecyclopedia [R]emix](https://www.ambientblog.net/blog/wp-content/uploads/2019/02/friederich-header-244x250.jpg)
