Marsen Jules – Yara (Remastered)

Marsen Jules’ (Martin Juhls, from Dortmund, Germany) “Yara” was originally released on Autoplate in 2004.
The (six) tracks were only available as MP3 downloads (in 192 kbps only!). And unfortunately disappeared completely in 2006 (together with the tracks from the preceding MP3 album “Lazy Sunday Funerals“) .
Marsen Jules continued to release more beautiful music on the City Centre Offices label, such as 2005’s Herbstlaub.

Lucky for us, the Oktaf label decided to re-releases both lost albums. They are now available as a physical CD as well as digital downloads (with better bitrates). The tracks are fully remastered and the Yara CD also contains two additional tracks: ‘Harfenklang’ (Harp Sounds) and the 15 minute long ‘Yara Variation‘.

Jana Winderen – Energy Field

Field Recordings  come in many varieties. From the documentary recordings, as true to nature as possible, to environmental soundscapes, using recorded sounds to create a completely new environment.

Presenting music by recording artists like Jacob Kirkegaard, Chris Watson and Jana Winderen, Touch Music is definitely one of the finest labels in presenting this form of sound-art.

After releasing her beautiful (live) recording “Heated: Live in Japan” last year, Jana Winderen‘s “Energy Field” is her new full album on Touch.
More-than-full, actually, for  (on-line) buyers also receive a free download of Jana’s live performance on the Today’s Art festival in Den Haag, in 2009.

Olan Mill – Pine

Olan Mill is the name of the duo (Alex Smalley and Svitlana Samoylenko) presenting “Pine“, the long-awaited second release of the british Serein label.  

Serein started out as a net-label a few years ago. Following the succes of their Nest-release they reformed completely, and re-released their greatest succes as “Retold” – one of the most praised (re-)releases of 2009/2010. (BTW – the Serein website does not mention it, but most of their netlabel releases – including the original NEST EP – can still be found on archive.org.)

Following up a release like that is not an easy task. But Olan Mill lives up to the expectations, without simply ‘copying’ the Nest success formula.

Various Artists – Herfsttonen

As the musical part of the “Landtonen” festival in november 2009, “Herfsttonen” (Autumn Sounds) celebrated the local district of “Okkenbroek“, near Deventer (in Holland).

This may sound as if it is interesting to local citizens only.
Not true! – That would mean the large part of the world would miss this great project!

The three compositions presented here are very different from each other, but they are linked by the theme, and by the environmental sounds of Okkenbroek. This album deserves to be heard out of the local context, too, because it is dedicated to preserving the kind of rural life that may disappear all too quickly.

Loscil – Endless Falls

In the last ten years, Scott “Loscil” Morgan has built himself quite a reputation in creating fascinating ambient music.
“Endless Falls” is the follow up to 2006′ “Plume” (not counting last year’s EP “Strathcona Variations”). 

The cover image immediately takes us to the main theme of this album: Rain.
Pictured through a bright glass window. Not too dark – fresh – welcome even, to settle down the dust.
That’s in fact a description of the atmosphere of the album,  too.

[Antonymes] – Beauty Becomes…

[Antonymes]

[antonymes] (Ian Hazeldine, UK) released his album, titled “Beauty Becomes The Enemy of the Future” , in different formats.
Unfortunately, the special edition (a beautiful clothbound book with photographs and litho prints) was only released in a limited edition of 30 and quickly sold out!

If you want to see what you (and I) missed, you can still visit these Fluid Radio webpage, who made it album of the month. The special release package will surely have helped in this decision, but not the package alone. The music still makes the other two versions worth checking out!

The Black Dog – Music for Real Airports


Music for Real Airports

“Music for *Real* Airports…” ?? Reading the liner notes, I guess another proposed title for this album could have been “*Real * Music for Airports” :

“…a contemporary reply to Brian Eno’s work from the 70s.“
“…a more accurate update to Eno’s work, and a to a degree, a riposte.”
“…Some members of The Black Dog were disappointed by Eno’s treatment of the subject in 1978 and have been considering how to produce a more meaningful response ever since.”

Wow…The Black Dog re-defining and upgrading the classic album that practically defined the ambient music genre???

Joe Frawley – Left Cincinnati

After exploring various diversions of his musical art-form, Left Cincinnati feels like a ‘return to form’ of the sounds Joe Frawley presented on his 2008 album “The Hypnotist“.

The desolate piano sounds from the opening track Plain Yellow Dress immediately bring you to deserted playgrounds of your mind, with cutup fragments and almost ungraspable vocal samples.

Cinta Cita – part 2


Cinta Cita 2

“Cinta Cita – Meeting with the Tape” is the second ‘guest mix’ created especially for ambientblog.net.
(The first was Muttley’s “Isolate”).

Cinta Cita is a 2 1/2 hour journey by DJ Rich-Ears, presented in two parts.
This is Part 2  (Part 1 can be found [here]).  

“Ambient as atmosphere. Ambient as the cusp of melody and texture. Here we have an elegantly complex woven soundtrack (by DJ Rich-Ears) from the Lowlands that takes us through time, back and forth, from the familiar, the rare, the digital and the analogue. Let it be the soundtrack to a moment where everything slows down and re-engage with yourself and your surroundings.”
Robin Rimbaud / Scanner / april 3th – 2010