Gathering Clouds (mix)

This must be one of the darkest mixes I have created until now.
I recommend headphone listening for this mix, but also recommend to avoid late night listening – unless, of course, you know what to expect.

The atmosphere is immediately set with the first notes, with a threatening (Boduf Songs) howl , and may even get downright frightening in the end climax.
Yet, not all is dark and gloomy.
In the middle section, there are also more optimistic sounds to enjoy, some more comfortable moments. 

So: just let the Machinefabriek track (‘Stroomtoon Eén’- about 4 minutes from the start) guide you downward to a lower consciousness level – “Inception” style – and from there let your imagination do the rest….

Celer – I, Anatomy


I'Anatomy

When talking about extremely prolific artist that manage to deliver amazing quality recordings with every new release, Celer is one of the names that pops up. At the time of writing, the Celer discography mentions 52 titles released on a label, and another 33 self-released titles!
“I, Anatomy“, released as a double vinyl album (no digital download yet, unfortunately), is not the latest release, but, in fact, that is not the point at all.
Unlike decades ago, there’s no point in collecting, trying to be complete. The more important point is to simply enjoy what you encounter.

As Will Thomas Long puts it: “I know it is difficult for people to keep up, but for me, I just share things with people that I feel or assume might be interested in the music, because they’re just the people I have contact with, hoping that in maybe one of the releases, something will strike them or have some personal relation. I don’t expect anyone to listen to or enjoy everything, but it’s something that is just natural for me, making and working on music, and keeping doing it. Trust me, I’d love to make only 1 album a year, but it just doesn’t ever work out that way. Not yet, at least.”

Alio Die – Deconsecrated and Pure

For those not very fond of ‘ambient’ music, the sheer productivity and release rate of some of the artists can lead to sarcastic jokes about how easy it must be to create this “kind of music”. But numbers are often deceiving: some of these prolific artists manage to produce a surprising variety of well-constructed music that manage to surprise with almost every new release.

Alio Die  (Stefano Russo, Italy) definitely is one of those artists.

At the time I found out about “Deconsecrated and Pure” (which was released in march 2012, as his 56th release!), at least two new titles have been added to his impressive discography.
But just forget that release rate and focus on this very album.

Library Tapes – Sun Peeking Through


Library Tapes - Sun Peeking Through

Recording music since 2004, Swedish composer David Wenngren a.k.a. Library Tapes has a distinct personal style that perfecly matches the best in the  ‘acoustic ambient’/’post-classical’ genres.

His latest album “Sun Peeking Through” flawlessly unites different kind of aspects from the genre: ambient electronics in the opening and closing Variations, romantic piano melodies combined with melancholic cello musings, all alternating with dark abstract ambient string soundscapes.

Title and cover image tell all there is need to know about this album: look behind the melancholy and sadness to find the ‘Sun Peeking Through‘.

Sylvain Chauveau & Stephan Mathieu – Palimpsest


Palimpsest

pal·imp·sest  (plmp-sst)n.
1. A manuscript, typically of papyrus or parchment, that has been written on more than once, with the earlier writing incompletely erased and often legible.

I guess I can safely assume that both Stephan Mathieu and Sylvain Chauveau don’t need any further introduction to readers of this blog.
Also, there’s not very much news in the concept of two artists working together in a digital dialogue, maybe even from different corners of the world. Usually, this means sending back and forth musical ideas – working, remixing, recreating and editing the tracks until they are fit enough to publish.
But not in this particular case!

“Palimpsest” took an unexpected turn when Sylvain Chauveau only added his voice to the tracks presented by Stephan Mathieu – leaving the basic tracks unaltered.

I can vividly imagine Stephan Mathieu’s complete surprise when hearing back his tracks, unaltered, but with the added layer of vocals covering Bill Callahan‘s classic Smog songs.

Mendel Kaelen – The Tragedy That Drowned Itself

In december 2010, dutch composer Mendel Kaelen surprised me with his impressive electro-acoustic music on “Remembering What Was Forgotten”.

His new album (his second full-length) “The Tragedy That Drowned Itself” is the debut release of a new UK/NL record label called Sineszi, aiming to publish contemporary electro-acoustic music and sound art.
And quite a promising start that is!

This beautifully coloured digipack release (also available as a fairly priced digital download only) reveals intriguing sounds that are very enigmatic – especially since there’s no mentioning of their origin in the liner notes of the album itself.

Damian Valles – Nonparallel (In Four Movements)

“Nonparallel (In Four Movements) is composed and arranged entirely from samples from the recordings of avant-garde Western classical composers and computer music released by the Nonesuch label in the 60s and 70s.”

Just that statement alone should be enough to raise your interest for this new album by Damian Valles, just because of the fact that from the early 60’s, the Nonesuch label has been on the forefront of electronic and avant-garde music – releasing classic titles like Morton Subotnick‘s “Silver Apples of the Moon” and Beaver & Krause‘s “The Nonesuch Guide to Electronic Music”

“In working with the material, Valles wanted to enter into its very lineage, to forge a dialogue with it, to both extrapolate something essential from it and contribute to its legacy by using it to create an original work some three decades later.”

Chris Russell, Listening Mirror, Philippe Lamy, Mystified, Bengalfuel

In the Shortlist sections, I will mention some of the albums that I enjoyed listening to, but couldn’t find the time (or the right words) for a “full” review for. Still, I think they deserve your attention: use the links to find more info and hear previews.

Bloom

Chris Russell – Bloom
A lot of ambient music refers to darkness and gloomy atmospheres, so it’s refreshingly rewarding to find an album like this, an album that finds it inspiration in ‘the power of nature’, especially since it is warm and bright as the pictures accompanying the release, without ever crossing over to the dreaded ‘new age’ territories. “The use of field recordings and electronic atmospheres, along with photos taken from many long hikes in the forest, were the visual back drop to the zones I was creating in the studio. Bloom is a celebration of the awakening and renewal of life..”

The Clearing

Listening Mirror – The Clearing-My Hiding Place
Not much need to refer to the physical release of this 7″ on Cooper Cult, since that was a release of 25 and obviously sold out before I could even play the tracks twice. But, luckily, these beauties are still available as a digital download from BandCamp. Classic Listening Mirror (Jeff Stonehouse) soundscapes: immersive and wide soundscape layers provide the backing for a calm acoustic guitar theme. In some way, the lonely and deserted atmosphere reminded me of the classic Paris, Texas soundtrack by Ry Cooder.