Jeremy Keenan, Stefan Funck, Franck Condon, Glittering Hand, Kissy Suzuki

In the Shortlist sections, I will mention the albums that I enjoyed listening to, but couldn’t find the time (or the right words) for a “full” review for. 
Still, I definitely think they deserve your attention, with or without extra words!

Jeremy Keenan

JEREMY KEENAN – IMMATERIAL
“Created largely from recordings of two journeys by boat, on the River Lee Navigation in London and the North Sea ferry to the Netherlands, Immaterial explores the abstraction of emotional and perceptual traces in sound relating to journeys. The title track utilises sound garnered from the Institute of Making in London, with direct recordings of engineered materials exposing the raw process of extracting the composition from recorded sound.

Michel Banabila – 47 Voice Loops + Gardening (Extended)

Two surprising new albums by Michel Banabila, both based on some of his earlier work yet remarkably different from most albums in his extensive catalogue.

47 VOICE LOOPS

The original basic track for “47 Voice Loops“ can be found on the free (!) download album “In Other Words“ (track called “MltVz8”.)
In reaction to some listeners comments, Banabila decided to create longer versions of this track. The result is now available as a separate album which clearly demonstrates these listeners were right!

Various Artists – Earthtones


EarthTones

Tessellate Recordings is a new label started by Harry Towell, well-known for curating tons of fine music for the Audio Gourmet netlabel, ánd of course for his own music as Spheruleus.

“Earthtones” is a massive compilation (26 tracks, over 2 hours) of well- and lesser known artists that all contributed a track to this album which is intended to raise funds for the next CD-releases.

Just picking a few names from the contributor list: Caught in the Wake Forever, Wil Bolton, Maps and Diagrams, Savaran, Ekca Liena, Bartosz Dziadosz (Pleq), James Murray, Damian Valles, Monolyth & Cobalt, Lauki, Offthesky, Radere, The Inventors of Aircraft. – I guess that’s enough to get you interested….

Stephan Mathieu – Un Coeur Simple


Mathieu-Coeur

Shortly after reworking David Sylvian’s “Blemish” on “Wandermüde“, Stephan Mathieu presents another impressive work.

“Un Coeur Simple” (“A Simple Heart”) is the soundtrack of a play based on Gustave Flaubert’s novel, which was published in 1877 as the first of three tales.

In creating his personal soundscapes, Mathieu has always preferred using old source materials, things of the past, like wax-cylinders and 78 rpm records, as his source material….“a fascination for the past expressed through cutting-edge tools”.

Betacicadae – Mouna


Mouna

Betacicadae is probably not a name you will easily remember.
It concatenates Beta (“obsolete magnetic tape, a second version, something lowly“) with Cicada (“strange and humble insect that emanates beautiful sound”).
And: it is the artist alias of Kevin Scott Davis.

“Mouna“ – available on CD, clear white vinyl, or as a digital download – is not easy to describe, since it contains many different styles.
Still it manages to present a coherent, “narrative” sound. I found myself returning to it and playing it over and over again – which is ususally a sign of something special going on…

Rust (Mix) – The Video Version

When publishing the mixes for Ambientblog, I have always been looking for a way to ‘visualise’ the artist credits for the mix.

Most of the fragments and samples used in the mix-collages are almost indistinguishable, yet the interested listener might want to find out about the release details. 
This is why most mixes on ambientblog also feature a ‘sequence scheme’ image which shows the building blocks of that particular mix.

For my most recent mix, “Rust”, I decided to try out a different feature: a video version, which is showing the track details at the very moment they are used in the mix.

Marsen Jules – The Endless Change of Colour


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Marsen Jules is probably the best known alias of Martin Juhls from Dortmund, Germany, also operating as Falter, Krill.Minima (don’t forget to check the recent “Sekundenschlaf“), or the marvelously named Wildach Sonnerkraut.
His different aliases allow him to experiment and expand in different directions. The previous (six) releases as Marsen Jules each feature somewhat different instrumentation but all share Juhls’ personal trademark of intricate sounddesign.

Most tracks on the previous Marsen Jules albums are somewhere around the 4 – 6 minute length each.
But his latest album“The Endless Change of Colour“ (released on 12k) is different in this respect: it only features one single uninterrupted track.

Lyken; Andreas Bick; Alessio Ballerini; Machinefabriek; Joseph Curwen

In the Shortlist sections, I will mention some of the albums that I enjoyed listening to, but couldn’t find the time (or the right words) for a “full” review for. Still, I think they deserve your attention: use the links to find more info and hear previews.

Terrestial Sea

LYKEN – THE TERRESTIAL SEA
“The result of a bio acoustic residency living and working with marine biologists from Aberdeen Universities Lighthouse Field Station in Cromarty, the Black Isle (Scotland). Gathering and utilizing their underwater acoustic research into how environment effects behaviour.”
Four track album (iTunes only?), featuring three instrumentals, and one created from eerie and alienating vocal samples (‘Scar History’). These tracks may fire your sub-aquatic imagination! My download copy also included an extra track (‘Wetland (Hurrel Lyken Mix)’) which isn’t mentioned in the download tracklist but is definitely worth finding.

Eolo

ANDREAS BICK – EOLO
[FREE DOWNLOAD]
“‘Eolo’ is the Italian name for Aeolus, the ruler of the wind in Greek mythology. On La Palma, trade winds carry a constant stream of clouds over the steep mountains and volcanos of the inland, forcing the clouds into erratic movements.”
This Galaverna release has a somewhat unusual format: it consist of a short (4 minute) audio-track and its accompanying video, shot on La Palma, Canary Islands, in 2010. The field recording soundtrack and the time lapse images from the La Palma cloud movements are taken to a completely different dimension by the angelic vocals of Almut Kühne.

Jacob Kirkegaard – Conversion


Conversion

Jacob Kirkegaard is well-known for his unusual sonic concepts, “capturing and contextualizing hitherto unheard sounds from within a variety of environments: a geyser, a sand dune, a nuclear power plant, an empty room, a TV tower, and even sounds from the human inner ear itself”.

The sounds he presents are always extremely fascinating, even when heard without knowing about their actual context – but of course it does help knowing where the sounds originally come from.

Capturing the feedback sound from a deserted Chernobyl location may not be easy. This also applies to recording interactive sounds to make the listeners own inner ear play an active part in creating the sonic end result.

But can you imagine concepts like this being translated to a performance of a string ensemble?
I couldn’t. 
Scenatet could.