A walk through the forest with Dag Rosenqvist, a visit to Tiny Vipers’ bedroom, manipulated Amazon amphibian sounds by Artificial Memory Trace, and finally dream memories from Ken Camden
Visiting sacred spaces with Giulio Aldinucci, the spaces in-between with Arovane and Hior Chronik, a minimalist collaboration by Jeremy Young and Aaron Martin, and finally ending up in a strange ‘Cävv’ from Portugal!
On Jump Cuts, Banabila presents a return-to-style to the music that bears his unique personal trademark.
The kind of patchwork sounds he created for previous albums like Voiznoiz and Precious Images – the kind of music that also perfectly fits theatre, dance, documentary or movies soundtracks.
Enigmatic strings from Iceland, introspective disorientation, acousmatic ambient, and generative music for passive contemplation. …..
With her previous releases, Anne Garner has secured a very special place, right in the middle of the area where indie folk, singer-songwriter and ambient music overlap.
On Be Life, her latest collaboraton with James Murray, Anne’s otherworldy vocals are even more intense and intimate than before.
This is shamelessly romantic music … as reassuring as a new-found love!
Introducing modern classical ambience by Pleq & OfftheSky and The Frozen Vaults, music connecting primary colors to primary locations by Darren McClure, and music to contemplate the beauty of nature by from Fabio Perletta
Though the album is presented as if it were a remix-album (and in fact it also ís), the basic track is not taken from a previous release from Bruno Sanfilippo‘s extensive discography.
The title track and opener of Upon Contact Reworked is a new composition which is the basis for further reworks, reconstructions and remixes by different artists.
Soundscapes from all over the globe: new albums from Ebauche (Ireland, Poland, Cambodia); Todd Tobias (US); Arash Akbari (Iran); Darren McClure (Japan) & Jose Soberanes (Mexico)
Jean-Paul Dessy (1963) is a Belgian composer with an impressive track record.
One that is clearly not afraid to cross borders into unknown territories: he has a distinct personal style of composing, which is quite different from other contemporary modern classical composers that often choose the romantic ‘cinematographic’ style. His work is dramatic, extremely dynamic – a roller coaster ride of conflicting emotions.
This is neither classical music as-we-know-it, nor is it rock music disguised as a symphony.
It’s not simply following the current ‘hip and happening’ post-classical style, but completely unique and personal.
