If you check their website, the about page states “haygurlhaygyrl wuddup wuddup/Bah-bah-bah, bah-bah baranne“.
Thieves of Zozo obviously are not yet fully ready yet to present their debut album “Never Knows Best” in full.
Luckily, their myspace page has a bit more info.
Peter Broderick is not afraid to try out some new directions. With his music (ranging from minimal electronics via minimalism to new-folk), as well as with the ways to distribute them.
Some of his records were released on fairly wellknown labels as Type and Kning, or on lesser known labels as Slaapwel Records and Fang Bomb. But also on cassettes, freely available mixtapes, and now even using Flickr (the web 2.0 photo sharing site).
As far as I know, he’s the very first artist creating a ‘Flickr Album‘ this way.
The Hibernate Sampler did a fine job: I was so impressed by the quality of the music that I ordered a batch of albums from the label. All of them were interesting enough to be reviewed here (and maybe I will).
But as much I enjoyed them, Porzellan‘s The Fourth Level of Comprehension was the one I played most repeatedly.
Porzellan is Francis Cazal. Classically trained composer and baroque violinist. The latter may be a bit confusing, since none of the music is very ‘baroque-as-we-know-it’.
But, firmly rooted in classical composition techniques, Cazal obviously knows how to create a compelling composition.
Contemporary electronic music is firmly rooted in Germany – I guess no one will argue that.
So is No Accident in Paradise, a four person “Live Ambient System”, or freeform ambient music project.
No Accident in Paradise combines live electronics and keyboards with sampled electronic music recordings and rather stunning visuals by Robert Seidel. They perform at unusual locations that perfectly fit their music: check the video of the Therme Bad Schandau performance (below) for a good impression!
For those of you that like their minimal ambient backgrounds combined with piano music (like Helios/Goldmund, Max Richter or Nest) this is a great gift: the 45 minute album “Memories Fade Under a Shallow Autumn Snow” by Language of Landscapes is saved from oblivion and now offered as free (!) download by the Phantom Channel label.
It’s not ambient, and it’s only remotely electronic.
Still, when I discovered this album last week (it was released in march this year), it left me completely speechless and utterly fascinated.
The Happiness Project is a concept created by Charles Spearin from Toronto, known by some for his contributions to Do Make Say Think and Broken Social Scene.
For this project he has been interviewing some of his neighbours in downtown Toronto, and used their recorded voice to create the musical track.
In these sample-laden times that in itself does not sound very spectacular, but Spearin focussed on the melody of the voice and doubled it with a musical instrument fitting the voice. The pitch of the voice is never changed, but rhythmic and melodic patterns are created by repeating some of the phrases. Thus resulting in a sparkling and engaging kind of experimental jazz music.
A nice present from the Hibernate Recordings label to help you through the dark winter days: The Hibernate Sampler, volume 1 sampler collection.
Hibernate Recordings is a new independent label, focussing on ambient and electro-acoustic music. And, judging by the artists released in their first half year of exisence and by the works on this sampler, I guess their name will be mentioned on this weblog on a regular basis.
Since its original release in 2007, ‘Favourite Places‘ has been one of my ...favourite soundscape albums.
It presented music inspired by favourite locations of well known artists (like Biosphere, Taylor Deupree) as well as equally beautiful compositions by lesser known (to me) names.
The concept is as simple as it is challenging: ask composers to describe their favourite place – in sound.
This place must be exactly pinpointed with location details, so it should not be an imaginary place.
“Mathon” is a project (named after the same titled location in the Swiss Alps) where for one week a mobile studio is installed high up in the swiss mountains, ands guests are invited to join the Mathon core musicians (Thomas Augustiny, Roger Stucki and Pete Leuenberger) and to create music inspired by the beautiful landscape surrounding them.
The recent project called ‘Via Mala’, refers to “a trail along the Hinterrhein in Graubuenden. A canyon with cliffs carved by its torrents, falling threehundred meters into the depth. It seems as if the mountain is broken in two. Enormous floads of meltingwater, the consistent gnawing of the river created during centuries a natural spectacle of unique beauty.“
