Fovea Hex – Neither Speak Nor Remain Silent (Mix)


Fovea Hex

When I read that a new Fovea Hex album will be released in the “Very-Imminent-Future”, this revived fond memories of their 2007 box set called “Neither Speak Nor Remain Silent”.

Two quotes may introduce this fascinating collection: Brian Eno thought these were “Some of the Most Extraordinary  Songs I’ve heard in Years”, and The WIRE aptly summarized it this way: “If Emily Dickinson had ever been allowed to make a record, this is probably what it would have sounded like”.

These comments are all about the songs, but I was also impressed by the way Fovea Hex combined the (unmistakable English) “folk” tradition, their sweet sounding but very strange and mysterious vocal poetry, with a daringly experimental sound backing – even to the most extreme on the stretched minimalist remixes of the Hafler Trio (Andrew McKenzie) on the bonus versions  included in the original limited special edition.

Enrico Coniglio – Salicornie


Salicornie

Most ambient music deals with more or less imaginary landscapes -like, for example, the two compilations recently reviewed: “Hidden Landscapes” and “Underwater Noises“.

This is definitely not the case for both Topofonie albums by Enrico Coniglio (who also contributed to the Underwater Noises compilation), that are inspired by Venice and its lagoon.

“A polymorphic portrait of what Venice is today, one moment decadent and melancholy, then romantic, rowdy, colourful and chaotic. Postcard of a thousand postcards, photos of a thousand photos…”

But, just as Venice is not like any other city in the world, Salicornie (and its predecessor: Areavirus ) is not like any other ‘ambient’ album.

Elian – Whispers, Then Silence

If I would simply define “ambient” as “drone“, or as “ignorable music“, then Elian‘s Whispers, Then Silence” would not really fit in here: this roller-coaster ride of electronic soundscapes is definitely not created for repeated playing in the background!

This is clear from the 15-minute title track opening the album: starting with a minimal vibraphone theme, there’s a sudden atmosphere change in the middle, leading to machines running amok for seemingly endless minutes until the end of the track.

Piiptsjilling – Wurdskrieme

On the debut release in 2008, Piiptsjilling was the name of the album performed by Machinefabriek & Jan Kleefstra, together with Romke Kleefstra and Mariska Baars
Following this remarkable debut, the original contributors have kept working together and performing in as well as outside Holland – to growing critical acclaim.

Now, Piiptsjilling is used as the name of the band.

One might think this kind of spoken word music, spoken in the Frisian language (Friesland is a province in the north of the Netherlands) would be of local interest only.
Luckily, the opposite prove to be true: the message of their music came across widely outside Friesland too. 

The new Piiptsjilling album, called “Wurdskrieme(Cry of Words) is now released on Experimedia.net
Compared to the original Piiptsjilling album, it’s a quite different view of the same concept.

Joe Evans + Craig Burston – Systems out of Chance

Ambient/Electronic albums with an added DVD have my extra attention, especially when the DVD includes surround version of the music. 

In this respect, Systems Out of Chance is a feast for the senses, because it not only contains fascinating music on CD, but also a beautifully constructed “three way dialogue between text, image and sound” (as Sam Gatherole, art writer, described it) on DVD.
Including a surround mix on the DVD! 

The Systems Out of Chance exposition was presented at the Parfitt Gallery in Croydon in march, 2010, as a result of a collaboration between Joe Evans (sound) and Craig Burston (images). 
“Six speakers and three portrait monitors were synched to create an immersive audio-visual triptych born out of a shared love of systems, chaos and the everyday’

Slow Dancing Society – Under the Sodium Lights

Slow Dancing Society is Washington based musician Drew Sullivan.
Under the Sodium Lightsis his fourth full album release for the Australian label Hidden Shoal Recordings.

Though the music on “Under the Sodium Light” can definitely be “filed under ambient”, it also has a ‘pop music’/’post-rock’ feel that may also appeal to listeners outside the ambient genre.