DreamScenes – January 2019
The first edition of this year’s DreamScenes series is a mixed bag of sounds – navigating from post-classical to analogue electronics and some things inbetween. And back again…
Category: other-music
Delusional (Mix)
“For me, personally, a mix has the most impact when it feels like I’m watching a movie. With ups, downs, some drama, sentiment, moment of joy, climax and anticlimax. And yes: tension and release.”
Various Compilations
Three compilations: the Salaam for Yemen charity compilation (Hiberbate/Dronarivm), Eilean’s #92 with exclusive tracks, and Pop Ambient 2019 curated by Wolfgang Voigt.
Mzungu * Bionulor
Mzungu sheds a different light of the four seasons, while Bionulor recycles fragments of Alexander Scriabin.
Tom Hodge/Franz Kirmann * Harnes Kretzer
Different kinds of cinematic: Tom Hodge and Franz Kirmann‘s score for ‘The Man Behind The Microphone’. Harnes Kretzer‘s Black Noise is not a movie soundtrack but it could very well have been one.
Janek Schaefer * Erik Griswold
Janek Schaefer visits Cuckooland using samples from Robert Wyatt’s 2003 album. * Erik Griswold further explores the possibilities of the prepared piano.
Various Artists: We Stayed The Path … * Gavin Miller
Introducing “We Stayed The Path The Fell To Shadow” – a new subscription series from Lost Tribe Sound. Also introducing two new releases by Gavin Miller (one of those not included in the subscription series).
DreamScenes – November 2018
“Child, your roots are strong enough to grow through concrete and steel”