Tapani Rinne * Andrew Heath
Tapani Rinne’s surprising ECM-like sound created with bass clarinet and effect pedals *** A free gift from Andrew Heath, with reworks of his soundtrack for The Echoing Space.
Tapani Rinne’s surprising ECM-like sound created with bass clarinet and effect pedals *** A free gift from Andrew Heath, with reworks of his soundtrack for The Echoing Space.
The mix title, Radical Candor, comes from the (management) philosophy that argues that feedback (on behaviour) is most effective if it is ‘challenging’ but at the same time shows that you ‘care’.
I felt there was a resemblance: the mix is ‘caring’ at times but can also be quite ‘challenging’ to the listener. At least, that was my intention. Now you decide.
A fascinating mix of voice and electro-acoustics by Joseph Branciforte & Theo Bleckmann *** Ann’s Certain Colors is a collection of deliberate mistakes (but does not sound like that).
John Luther Adams’ ‘Become Desert’: “Close your eyes and listen to the singing of the light.” *** Stavros Gasparatos explores the range of emotions of losing control, without any repercussions.
A live improvised concert by Robert Lippok and ‘electroacoustic pianist’ Kaan Bulak
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Alexandra Spence studied the sonic textures of Europe (and beyond).
Zachary Paul showcases the textural range of the violin *** Jane Antonia Cornish is a must-listen for all lovers of modern-classical music *** Rune Clausen explores the mysteries of the Norwegian forests
Craig Leon further explores the music of the Nommos * Slagmann is a cross-pollination between ritualistic percussion (by Slagwerk Den Haag) and electronics by Talismann.
Angelina Yershova stresses the importance of the protection of our planet’s ecosystem on her stunning new album CosmoTengri *** Keru Not Ever‘s album is as disruptive as the name suggests