Category: ambient music

DreamScenes 2015-01

The fourth of the monthly DreamScenes broadcasts, with some great tracks from new and forthcoming releases.
(Full playlist details published below).

The end of 2014 saw the release of many (and I mean many) spectacular albums, of which you’ll find only a selection here.
Some familiar names matched with some lesser known artists…some organic sounds, field recordings, Terje Isungset’s glass percussion (wíth Arve Henriksen), trumpets, pianos, and – of course – some stretched drones…

Enjoy this january issue – and let’s hope it’s the start of a beautiful and musical year!

Kate Carr – Fabulations

At the end of every year, everyone remotely involved with music seems to be obsessed with creating all kinds of ‘end-of-year’ lists. Releasing an album in the very last week of the year means it’ll probably fall through the cracks of those lists: too late for the 2014 list, and to early for next year’s.
I have no doubt that Kate Carr’s “Fabulations” would’ve been included in many lists if it had been released earlier.
But now that it hasn’t: just forget about your lists and start listening.

Marsen Jules – Sinfonietta – At GRM

Marsen Jules’ (Martin Juhls’) new album ‘Sinfonietta’ is released barely a month after he released ‘At GRM’ on his own label.

It is interesting to note the difference between these two albums, as well as their similarities: in a way, the albums relate to each others like day relates to night.
But they also have a lot in common: in both albums, the notion of time is completely irrelevant.

Monolyth & Cobalt; Vitiello + Roden; Gateless Gate; How Hot is Your Cloud; Black to Comm
– shortlist –

Another shortlist for the last days of this year: beautiful soundscapes from Monolyth & Cobalt (Mathias van Eecloo, including reworks by many of his friends), Steve Roden & Stephen Vitiello, Gateless Gate (exploring the vast Siberian Landscape), How Hot is Your Cloud, and the surrealist music of Black to Comm.

Siren Song (Mix)

This mix is built around mysterious vocals. Vocals that may guide you, or lure you, into distances unknown.
Often, but not exclusively, female, and some of them not even human – like the beautiful flute-playing by Jean-Christophe Bonnafous, or the mysterious singing sound of the comet 67P/Churyumov-Gerasimenko that was recently discovered during the Rosetta space missions.
With just a little fantasy you can imagine the Philae Space Lander being attracted by the comet’s song – ultimately leading it to an untimely death.